ABOUT
Mark Ferraguto holds a PhD in musicology with a concentration in historical performance practice from Cornell University and a BA in music from the College of the Holy Cross. An internationally recognized scholar of 18th- and 19th-century music, he has published widely on topics spanning the fields of musicology, cultural history, and international relations.
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Ferraguto is the author of Beethoven 1806 (Oxford University Press, 2019), a musical microhistory that has been described as "one of the boldest contextual studies [of Beethoven] to date" (John Wilson, Oxford Bibliographies Online). He is also the co-editor, with

Rebekah Ahrendt and Damien Mahiet, of Music and Diplomacy from the Early Modern Era to the Present (Palgrave Macmillan, 2014). Hailed as "outstanding" (Kendra Preston Leonard, H-Net Reviews), this multidisciplinary volume examines musical concepts and practices within the longue durée of worldwide diplomacy. Other publications have focused on Haydn's minimalism, Beethoven's use of Russian folk songs, musical diplomats in 18th-century Vienna, and more. His article in Music and Letters, "Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803-1815," won the journal's Westrup Prize "for an article of particular distinction."
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Ferraguto is an Associate of the American Guild of Organists and a recipient of the Guild’s AAGO Prize. He is the organist at Faith United Church of Christ in downtown State College and performs frequently on organ and harpsichord. He serves on the executive boards of the Haydn Society of North America and the AGO’s State College chapter and on the editorial boards of Eighteenth-Century Music and String Quartets in Beethoven's Europe (A-R Editions). He is also on the faculty of Chamber Music Collective, an intensive summer workshop on period instruments.
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He has received grants from the Andrew W. Mellon Foundation, the DAAD, and the American Musicological Society. In 2017, he was a research associate at the IES Abroad Vienna Center, where he also guest lectured. He is Professor of Musicology at the Penn State School of Music, having joined the faculty in 2013.

In recent years, Ferraguto has worked closely with the Toronto-based Eybler Quartet to revive a pair of long-forgotten string quartets by Beethoven's contemporary Franz Weiss. This project has involved the publication of a modern critical score with A-R Editions (2022), a world premiere performance at Penn State (January 2023), and the quartets' first-ever studio recording (November 2024). Ferraguto and the Eybler Quartet were awarded the American Musicological Society's 2024 Noah Greenberg Award, which recognizes outstanding contributions to historical performing practices.
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Classic Title
Boccherini, Allegro molto from Sonata for Keyboard, Violin, and Cello in D Major, G. 14 (Mark Ferraguto, fortepiano; Lucy Russell, violin; Keiran Campbell, cello), Bucknell University